Wednesday, September 10, 2008

Film On Items In Dishwasher

The Totblitzer the (motor) sports

motor sport for many photographers with a very interesting topic. The word is composed of two words: Motor and Sport. Both words are already independent of dynamics and movement. This should, I think, reflected in the photos. But what is the practice?

Last weekend I was at Speed Hill, 2008 Sharp stone on the road, a so-called Hill Climb, carried out on a steep hillside in the woods. Although most of the sun was shining, the light conditions were not optimal. And the bikes - at least in many parts of the route - not just slowly move. To despite low light and high speeds acceptable shots, you had to stop with something.

gave Basically there are three options: choose a high ISO (resulting in noise), use a possible strong flash (an unnatural night scene creates outside the flash area) or select a relatively long exposure time and pull in camera with the subject (risk high "Rejection rate").

Nat ürlich it is possible and advisable to use a Optionenmix to work with such as ISO 1600 and 1 / 80 and the camera still follow suit. The photo shows how the result (here with a Sony R1, CMOS image sensor size: 21,8 x14, 8mm) may look like.

The noise keeps discreetly in my view, within limits, while the photo itself conveys the pace of the sport.

Even if a snapshot is not even really succeeded because, for example, the autofocus is not fast enough, one must not write off the subject file. Earlier ago I had a photo like the one shown here already deleted when viewing the camera screen. Now I decide first on a home monitor, which is having such a recording.

A simple software such as Picasa is sufficient to edit the photo as I did. Safe: With Photoshop, I would "optimize" this recording can - so remove the noise and Others more. However, I find that the photo - is the way it is now - very authentisc h acts and credibly conveys how difficult it was for the engine athletes to conquer the mountain.

As already mentioned: the flash to be used with * * I consider this perfectly legitimate and have partly been made, as the third example. Although the flash was used more subtle and still see the photo suggests that it is an admission on the day is, I love the photo borderline. Here I am missing it a bit dynamics - the driver would be too, if it is not the laws of physics would be ...

brings me back to the subject of the article. The lightning kills moods, makes dynamic athletes static objects that might be in a photo studio - at least when the flash is used as a supposed miracle.

That even colleagues with a large external flash to subject were fishing is one thing that I do not want to comment further. The ambitious Photo friends but I would like to encourage you to experiment just once. This means dispensing with various scene modes, as they are now to be found in abundance in many cameras and the use of individual settings. A middle-ISO value, 1 / 60 shutter speed, flash and the waiver of panning the camera with the subject and released at the right time such an exercise would be to go to dynamic photos.

I wish all sports-loving photographers good shots!

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